Burgess Richard James. The History of Music Production

Oxford University Press, 2014. — 265 р. — ISBN: 978-0-19-935716-1.
Язык: Английский.История звукозаписи - индустрия, техника и технологии, ведущие звукорежиссеры и продюсеры.Beginnings.
Understanding Sound.
Toward Recording.
The Phonograph.
The First Producers.
The Acoustic Period.
Acoustic Recording.
International Expansion.
The Third Major Label.
The Sooys.
Documentation of Cultural Expression.
The End of an Era.
The Electric Period.
Toward Electric Recording.
Better Sound.
Country Music.
Further Technological Foundations
The Calm before the Storm
The Thirties and Forties
Radio, Film, and Tape Innovations
Economic and Societal Overlay
Cyclical Decline
One Thing after Another: The Thirties through the War
Recovery
The Studio Is Interactive
Toward Greater Control
Magnetic Tape Recording
De̅ning Some Terms
Mastering
Editing
Sound on Sound
Overdubbing
Summing up Tape’s Impact
The Microgroove LP
The Post–World War II Reconstruction of the Recording Industry
After the War
The Boom in Independent Labels
The Fifties
Radio DJs
Mobile Music
More Music for More People
Music Anywhere: Radio on the Move
My Music on the Move
My Music Anywhere.
Expanding the Palette
Electric Instruments and Amplifiers
Synthesizers
Genre Hybridization.
Some Key Producers
The Objective
Review of Early Producers
Mitch Miller
Leiber and Stoller
Phil Spector
Sam Phillips
Steve Sholes
Norrie Paramor
Joe Meek
Brian Wilson
George Martin
Holland, Dozier, and Holland
Teo Macero
King Tubby
Prince
Rick Rubin
Quincy Jones
Robert John “Mutt” Lange
Dr. Dre
Max Martin
The Sixties and Seventies
Cultural and Creative Revolution
The Sixties
Mix Automation
The Seventies
Toward the Digital Age
Digital Recording
Hip Hop
The State of the Eighties
The Sound of the Eighties
The Look of the Eighties
Shiny Silver Discs
Singles
Mixing
Dance Music
Remixes
Further Eighties Developments
Mergers and Acquisitions
The Internet and the World Wide Web
The Nineties
The Corporate State
The Charts and SoundScan
Alternative Rock
Toward Music Online
Progress with Digitized Data
Digital Radio
Millennials
Preparing the Way for Napster
Periods of Standards and Stability
Proprietary versus Open Systems
Standards
Deconstructing the Studio
Democratizing Technologies
Improvised Environments
When Is a Home Not a Home?
Freedom
Random Access Recording Technology
Why Random Access?
The Beginnings of Random Access for Producers
Drum Machines, Next Generation Sequencers, and MIDI
The Beginnings of Random Access Digital Recording
Convergence and Integration
Transformative/Disruptive Technologies and the Value of Music
Definitions of Terms
The Industry at the Turn of the 21st Century
Missed Opportunity
Oh, Wait
No Big Surprises
What a Great Idea
What Happened to Vertical Integration?
An Idea Whose Time Had Come
Denial and Inaction
The Consequences
The Digital Disruption and Producer Income
Performance Royalties
Direct versus Statutory Licenses
Post-Millennial Business Models
American Idol
Downloads
Streaming Audio
Non-Interactive Streams
Streaming on Demand
Web 2.0, Social Networking, and Social Media
Commonalities
The Unfinished Work
Sampling, Mash-ups, and Remixes
Using Records as Raw Material
Disco
Hip Hop
Adapting Compositions
Adapting Recordings
The Question of Creativity
The Question of LegalityNotesAbout the Author