Daverio John. Crossing Paths: Schubert, Schumann, and Brahms

Oxford University Press, 2002. — 323 p.: musical examples.Abbreviations
Introduction: at the intersection of old and new paths
Schumann’s One and Only Schubert
Schumann and Schubert's "Immortal" Piano Trio in E Flat, D. 929
The Gestus of remembering: Schumann's critique of Schuber's Impromtus, D. 935
Uttering “Clara” in Tones
Schumann: cryptographer or pictographer?
Brahms's musical ciphers: acts of homage and gestures of effacement
The folded fan
A Noble Model
Transcendental chess games
Brahms, the Schumann circle, and the style hongrois: contexts for the "double" concerto, op.102
Epilogue: crossing paths and modes of expiarence
Notes