Vienna: Österreichischer Bundesverlag, 1906. — 31 p.
Alessandro Poglietti (early 17th century – July 1683) was a Baroque organist and composer of unknown origin. In the second half of the 17th century Poglietti settled in Vienna, where he attained an extremely high reputation, becoming one of Leopold I's favorite composers. Poglietti held the post of court organist for 22 years from 1661 until his death during the Turkish siege that led into the Battle of Vienna.
Poglietti is primarily important for his keyboard music, particularly Rossignolo (1677), a collection of diverse pieces for harpsichord that includes a large number of imitations of natural sounds, and a collection of 12 ricercares, which was widely copied during his lifetime
Many of these pieces employ programmatic devices. For example, Aria bizarra and Imitatione are very demanding, virtuosic pieces based on Poglietti's adaptation of nightingale calls. Many of the variations of Aria Allemagna imitate music for non-keyboard instruments (Variation 5 Lyra, Variation 11 Bayrische Schalmay, Variation 19 Ungarishe Geigen, Variation 20 Steyermarkher Horn) or foreign and/or folk traditions (Variation 15 Französische Baiselements).
Toccata
Canzona
Allemande
Double 1
Double 2
Courante
Double
Sarabande
Double
Gigue
Double
Aria Allemagna con alcuni Variazioni sopra l'Età della Maestrà Vostra
Ricercar per Il Rossignol
Sincopatione del Ricercar
Capriccio per Io Rossignol Sopra'l Ricercar
Aria bizarra del Rissignolo
Imitatione del medesimo Uccello