Mihailovic A. (ed.) Tchaikovsky and His Contemporaries. A Centennial Symphosium

Westport, CT; London: Greenwood Press, 1999. — 418 p. — ISBN: 0-313-30825-X.A Note from the Editor
Alexandar Mihailovic. Tchaikovsky as Our Contemporary
Changing Perspectives on the Composer
Richard Taruskin. Tchaikovsky: A New View—A Centennial Essay
Malcolm Hamrick Brown. Tchaikovsky and His Music in Anglo-American Criticism, 1890s-1950s
Alexander Poznansky. The Tchaikovsky Myths: A Critical Reassessment
Tchaikovsky and His Musical Contemporaries
Rosamund Bartlett. Tchaikovsky and Wagner: A Reassessment
Joseph C. Kraus. Analysis and Influence: A Comparison of Rhythmic Structures in the Instrumental Music of Schumann and Tchaikovsky
Leslie Kearney. Truth vs. Beauty: Comparative Text Settings by Musorgsky and Tchaikovsky
The Oprichnik : Tchaikovsky's “Lost” Opera
Susan Beam Eggers. Culture and Nationalism: Tchaikovsky’s Visions of Russia in The Oprichnik
Anne Swartz. The Intrigue of Love and Illusion in Tchaikovsky’s The Oprichnik
The Mature Operatic Composer
Truman Bullard. Tchaikovsky’s Eugene Onegin: Tatiana and Lensky, the Third Couple
Byron Nelson. “But Was My Eugene Happy?”: Musical and Dramatic Tensions in Eugene Onegin
James Parakilas. Musical Historicism in The Queen of Spades
Part V: Tchaikovsky, Russian Orthodoxy, and Nationalism
Olga Dolskaya. Tchaikovsky’s Roots in the Russian Choral Tradition
Vladimir Morosan. A Stranger in a Strange Land: Tchaikovsky as a Composer of Church Music
William H. Parsons. Tchaikovsky, the Tsars, and the Tsarist National Anthem
Other Perspectives, Contemporary and Modern
Samuel Lipman. Tchaikovsky: The Love That Dare Not Speak Its Name
Stephany Gould. The Image of the Composer in Modest Tchaikovsky’s Play The Symphony
James H. Krukones. Exploding the Romantic Myth: Ken Russell’s The Music Lovers
Round-Table Discussions
Biographical Issues in Tchaikovsky Scholarship
Tchaikovsky in American and Russian Musical Education
Tchaikovsky’s Ballets: Interpretation and Performance
Appendix 1: Musical Examples
Appendix 2: Conference Program (N/A)Notes on Contributors