Bartók B. 14 Bagatelles, Op.6

New York: Dover Publications, 1981. — 37 p. With bookmarks.
Reprint of the first edition by Rozsnyai Károly (Budapest, 1909).From alfred.com: The 14 Bagatelles, Op. 6, by Béla Bartók are significant because they represent the first piano works to be born from a genuine folk idiom and molded into Bartók's new compositional style. Bartok said of these pieces: In these, a new piano style appears as a reaction to the exuberance of the romantic piano music of the nineteenth century, a style stripped of all unessential decorative elements, using only the most restricted technical means.Molto sostenuto
Allegro giocoso
Andante
Grave (arrabgement of Hungarian folksong "Mikor gulyasbojtar voltam")
Vivo (arrangement of Slovak folksong "Ej' po pred nas, po pred nas")
Lento
Allegretto molto capriccioso
Andante sostenuto
Allegretto grazioso
Allegro
Allegretto molto rubato
Rubato
Lento funebre (“Elle est morte / She is dead...”)
Presto. Valse / Waltz (“Ma mie qui danse / My dancing sweetheart...”)