New York: Routledge City. - 2016 - 336 p.: musical examples, tables and figures
Overtures: IntroductionEnlightenment as negative freedom
Enlightened music
Masculine music: Music of enlightened masculinityAngry masculine music
Libertinage and musical libertinage
Enlightenment's legitimation of feelings
Sensitive masculine music
Conclusions: the differentiation of masculine music
Feminine music: Music of enlightened femininitySorrowful feminine music
Hysterical feminine music
Music of feminine moral frailty
Musical ridicule of female intentions
Two maids' and a peasant girl's music
Conclusions: the differentiation of feminine music
Seductions: Simple musical seductionsComplex musical seduction : Fiordiligi and Ferrando
Finales: Five finalesDon Giovanni and the stone man
Kant, Sade and Don Giovanni
Così fan tutte Act II Finale
The futures of the operas