Kopp David. Chromatic Transformations in 19th-century Music

Cambridge University Press, 2002. — xiv, 275 p. — (Cambridge studies in music theory and analysis, 17). — ISBN: 978-0-511-48193-2, 978-0-521-80463-9.David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.Foreword by Ian Bent
AcknowledgementsCommon-tone tonality
Three examples of functional chromatic mediant relations in Schubert
Key harmonic systems and notions of third relations from Rameau to Hauptmann
Hugo Riemann
Twentieth-century theory and chromatic third relations
Riemann’s legacy and transformation theories
A chromatic transformation system
Chromatic mediant relations in musical contexts
Five analysesCompositions cited