New York: G. Schirmer, 1915. — 8 p.
The Scottish musician Helen Hopekirk (1856–1945), regarded as one of the major concert pianists of her generation, also made a lasting contribution as a piano teacher in Boston after her emigration in 1897. As a composer, she forged an intriguing path by turning to the music of her native country as the wellspring of her creativity: the early pieces can sound like Brahms in the Highlands, and her later works marry Debussyan Impressionism with Hebridean folk-music, to evocative, touching and exhilarating effect.
medium difficulty, intended for student of music universities