Cambridge University Press, 2004. - 818 p. The Cambridge History of Twentieth-Century Music is a first appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first. This wide-ranging and eclectic book traces the progressive fragmentation of the European ‘art’ tradition, and its relocation as one tradition among many at the century’s end. While the focus is on Western traditions, both ‘art’ and popular, these are situated within the context of world music, including a case study of the interaction of ‘art’ and traditional musics in post-colonial Africa. An international authorship brings a wide variety of approaches to music history, but the aim throughout is to set musical developments in the context of social, ideological, and technological change, and to understand reception and consumption as integral to the history of music.
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Cambridge University Press, 2006. — 620 p. Contributors explore new aspects of composition and performance in this comprehensive examination of the repertory, institutions, performers, composers, and social and cultural world of one of the greatest moments in music history. They consider the cosmopolitan nature of music making; emergence of markets for musical activity; and...
Oxford University Press, 2009. - 3856 Pages (All 5 volumes). The history of "history" - our changing perspectives on the act of narrating and trying to "recapture" the past - encompasses the most profound seismic shifts in modern consciousness. Once seemingly commonsensical, the science-aspiring ambition of historiography to recount the past "as it actually was" (to borrow...
Oxford University Press, 2009. - 3856 Pages (All 5 volumes). The history of "history" - our changing perspectives on the act of narrating and trying to "recapture" the past - encompasses the most profound seismic shifts in modern consciousness. Once seemingly commonsensical, the science-aspiring ambition of historiography to recount the past "as it actually was" (to borrow...
Oxford University Press, 2009. - 3856 Pages (All 5 volumes). The history of "history" - our changing perspectives on the act of narrating and trying to "recapture" the past - encompasses the most profound seismic shifts in modern consciousness. Once seemingly commonsensical, the science-aspiring ambition of historiography to recount the past "as it actually was" (to borrow...
Oxford University Press, 2009. - 3856 Pages (All 5 volumes). The history of "history" - our changing perspectives on the act of narrating and trying to "recapture" the past - encompasses the most profound seismic shifts in modern consciousness. Once seemingly commonsensical, the science-aspiring ambition of historiography to recount the past "as it actually was" (to borrow...
Oxford University Press, 2009. - 3856 Pages (All 5 volumes). The history of "history" - our changing perspectives on the act of narrating and trying to "recapture" the past - encompasses the most profound seismic shifts in modern consciousness. Once seemingly commonsensical, the science-aspiring ambition of historiography to recount the past "as it actually was" (to borrow...