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Film Culture in Transition (Amsterdam University Press)

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Film Culture in Transition — серия издательства Amsterdam University Press. Книги, выходящие в этой серии, посвящены разнообразию кинокультуры в глобальном мире, истории региональных киношкол, теории кино и экранной культуре по всему миру от зарождения киноискусства до настоящего времени. В серии также освещаются вопросы тесной взаимозависимости киноиндустрии и новых средств массовой информации.
Film Culture in Transition is committed to a diverse range of approaches and to stimulating cutting-edge debates on the complex interdependence of cinema, other media and screen culture at large. While putting the emphasis on current work in film theory and media history, the series also feature studies on new forms of authorship, image politics and media art. With a strong tradition in European and North American cinema, we are welcoming innovative book projects on the diversity of film cultures in a global perspective.
Geographical Scope: Worldwide
Chronological Scope: 19th, 20th and 21st Century
Keywords: Global Cinema; Film Culture; Film Theory; Media Archaeology

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В разделе Файлы → Академическая и специальная литература → Искусство и искусствоведение → Искусство кинематографии
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Balsom Erika. Exhibiting Cinema in Contemporary Art

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Amsterdam University Press, 2013. — 260 p. — (Film Culture in Transition). — ISBN-13 978-9089644718. Whether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theater and the home, but also in the art gallery and the museum. The author of this engaging...
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Bergfelder Tim, Harris Sue, Street Sarah. Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema

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Amsterdam University Press, 2007. — 336 p. — (Film Culture in Transition). — ISBN-13 978-9053569801. European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin,...
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Catanese Rossella (ed.) Futurist Cinema: Studies on Italian Avant-garde Film

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Amsterdam University Press, 2018. — 248 p. — (Film Culture in Transition) — ISBN-13 978-9089647528. Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions...
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Elsaesser Thomas. European Cinema: Face to Face with Hollywood

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Amsterdam University Press, 2005. — 563 p. — (Film Culture in transition). — ISBN-13 978-9053565940. Has European cinema, in the age of globalization, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can...
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Feenstra Pietsie. New Mythological Figures in Spanish Cinema. Dissident Bodies under Franco

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Amsterdam University Press, 2011. — 331 p. — (Film Culture in Transition). — ISBN13: 978-9089643049. After General Francisco Franco died in 1975, Spanish cinema was bursting at the seams. Many film directors broke free from the ancient taboos which had reigned under Franco’s dictatorship, introducing characters who transgressed the traditional borders of social, cultural, and...
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Phillips Alastair. City of Darkness, City of Light: Émigré Filmmakers in Paris 1929-1939

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Amsterdam University Press, 2003. — 256 p. — (Film Culture in Transition). — ISBN10: 9053566341, ISBN13: 978-9053566343. The volume is the first-ever book-length study of the cinematic representation of Paris in the films of German èmigrè filmmakers, many of whom fled there as a refuge from Hitler. In coming to Paris—a privileged site in terms of production, exhibition, and...
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Røssaak Eivind. Between Stillness and Motion: Film, Photography, Algorithms

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Amsterdam University Press, 2012. — 245 p. — (Film Culture in Transition). — ISBN13: 978-9089642127. Since the development of film as an artistic medium in the 1890s, there has been an inherent tension between still photographic images and moving cinematic images, from their form and function to the messages they convey and their impact on the beholder and on culture at large....
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Zanger Anat. Film Remakes as Ritual and Disguise: From Carmen to Ripley

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Amsterdam University Press, 2007. — 158 p. — (Film Culture in Transition). — ISBN10: 9053567844; ISBN13: 978-9053567845. The first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales—Joan of Arc, Carmen, and...
  • 1,77 МБ
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